Monday, July 16, 2012

Breaking Bad - "Live Free or Die"


Season 5, Episode 1

 “We’re done…when I say we’re done.”

Few shows can raise the sort of pre-air anticipation like Breaking Bad can. The show, which at its heights delivers some of the most visceral and adrenaline pumping moments ever to be aired on the small-screen, has a public perception that’s based around those highs. Yet the show’s season premieres, while still awesome, tend to work on a lower key than the heights that the show is capable of, and as such tend to be slower and more taxing than what we as viewers are used to. (The first third of season four, anyone?) Even as tonight’s season premiere had those same premiere issues in setting up the next batch of episodes (be it the first 8 of the season, or the whole 16, we’ve yet to know), it also gave us perhaps the most fun hour the show has ever produced.

Perhaps I should explain. All episodes of Breaking Bad are “fun” in the sense that they find ways to entertain, to thrill, to move the audience and tell taut, involving stories. However, the show is so often mired down in darkness and tension that rarely do the characters get any sort of chance to breathe, to let loose and kick around the show’s world. (I mean this in a good way.) The show doesn’t get the chance to deliver capers or fun little romps, since so often he characters are merely trying to avoid getting themselves killed and the like. Also because for a show this dark, doing fun little capers would be tonally untrue to what the rest of the show is attempting to do.

But that’s what tonight’s episode did, and it all centered on the most deliriously fun of concepts: magnets. Like a fever dream of Insane Clown Posse or Bill Nye the Science Guy, Jesse’s idea for how to save him, Walt, and Mike from the incriminating video evidence under police possession, it’s a gloriously simple idea, both for a criminal plan, and as something to center the episode around. But in both cases it works. It allows Walt to show off his science skills as rigs a U-Haul van into a giant magnetic conductor, and it allows the show to play out a single idea for the majority of the hour. Usually episodes of Breaking Bad are about the unrelenting, all-surrounding pressures that out anti-heroes have to face, but tonight gave them and us a reprieve. With a singular goal to accomplish, it allowed the characters to end an episode on a win, a rare event in the world of the show.

A lot of that sense of fun is, perhaps disconcertingly, filtered through the current mood of Walter White. Having just blown up Gus and the lab under the laundromat, the man is riding high, convinced that no one and no thing can touch him. Having proven that he won, that he is the one who knocks, Walt moves forward like a bullet train, completely convinced that he is now unstoppable, and that all plans will ultimately work out in his favor. Of course Walt has always been a self-assured bastard, but when the world was kicking him down, he was always more hesitant in his moves. Now that he’s the one doing the kicking, he throws caution to the wind

Of course, all that fun and confidence that was present throughout the episode was shadowed by an ominous bit of flash-forwarding, much like the black-and-white scenes that began those season two episodes. “Live Free or Die” (the state motto for New Hampshire, by the way) opened with a disorienting scene, with Walt in a Denny’s (thank you, product placement!), celebrating his 52nd birthday with his bacon, a beard on his face and a full set of hair, popping pills and buying a large gun from Lawrence. Walt’s much skinnier now, and once again seems to be in that desperate place that he so often finds himself. Victory is not a permanent state for Walt, and it seems the show is set on sending him out on a low note. It adds another level of tension to the proceeding, as well as an air of tragedy, to know that Walt’s time as king won’t last, but it doesn’t take a genius to figure out that his hubris will be his downfall.

But for now he’s reveling in his alpha-male posturing made fact, and he doesn’t seemed concerned with the dangers that surround him. Mike’s still mad with Walt for killing Gus, and doubts that Walt can keep this victory alive, telling Jesse that the best play would be to take the money they have and just skip town. Jesse, ever the mentee to Mr. White, dismisses him, enjoying the victories as much as Walter. The difference is where Jesse’s confidence comes from naiveté; Walt’s comes from denial and self-delusion.

That denial and self-delusion come in handy in regards to whatever backroom deals that Skyler and Saul have been carrying on without his knowledge. Walt has long had a weak spot for his estranged wife, trusting her with things that are far beyond her control. But that’s only because he believes that he can be there to control the outcome. When he leans in close to Saul and says “We’re done…when I say we’re done,” or when he tells Skyler “I forgive you,” (while also applying for the Guinness World Record for Creepiest Hug Ever), he does these things because he believes himself to be in a position of power to make it all right. He’s so convinced of his own criminal prowess that he couldn’t possibly fathom something biting him in the ass, because he can’t fathom a scenario that he doesn’t see coming.

That’s to say nothing of the picture frame that Walt’s super magnet incidentally broke, cluing the police into an address of Gus’, one that Walt doesn’t know about. It stands as a symbol of Walt’s recklessness, and I wouldn’t be surprised if that location is the key to his downfall.  But that is 15 episodes out, and we’ve got more than enough time to ponder and wonder at just how screwed Walter will become, and just how much will be at his own hand. We’re currently with Walt as he ascends, assuming that he hasn’t already hit his peak power. Soon enough will come the fall, in all of its gruesome glory.  

Next Week: A trio forms, and the Germans arrive.

Quotes and Other Thoughts:

“Keys, scumbag. It’s the universal symbol for keys.”

“I want you to have one thought: Hogan’s Heroes.”

“What about that stuff you young guys wear on the ends of your pricks? Speak now or forever sing soprano.”

“I can envision a lot of possible outcomes to this thing, and not a one of them involves ‘Miller Time’.”

“Yeah, bitch! Magnets!”

“Did you just use the word ‘ethically’ in a sentence?” 

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